Developed through ages in such cities as Isfahan, Tabriz, Kashan and Kerman, bazaars have been far more than commercial centres. Complete with various functions, they served indeed as the main forum in a city's public domain.
A bazaar's characteristic is the structure and organization of its space in accordance with the trade activities and necessary urban function. This essay lists the outstanding morphological traits of an Iranian bazaar:
- Resemblance to other bazaars along the trade route
- Being organized as a complex
- Passages with covered roofs
- Organic structure
- Pre-planned and guided overall impression
- Roof tops having independent functional elements
Resemblance to Bazaars Along the Trade Route
The bazaar is rooted in one of the fundamental aspects of human civilization: trade. From the earliest periods, bazaars emerged wherever commercial paths crossed or along major trade routes. The Iranian bazaar, as a particular instance of this phenomenon, took shape over centuries along the Silk Road and other intercontinental trade routes that passed through the Iranian plateau.
Within a single city, the bazaar was typically located in the heart of the urban fabric, near the Friday mosque and the governmental palace. But the crucial point is that the bazaar was not merely a local market; it was part of a chain of bazaars from one city to another, each resembling the next in spatial organization and commercial logic. A traveller moving from Isfahan to Shiraz, or from Kashan to Kerman, would find a recognizable pattern in the bazaar's layout, its covered passageways, its caravanserais, and its specialized trade zones.
Being Organized as a Complex
The Iranian bazaar is never a single building. It is a complex, a city within a city, that integrates multiple functions. The bazaar encompasses not only shops but also mosques, madrasas, bathhouses, caravanserais, and warehouses. Each of these components is organically connected to the main spine of the bazaar through a network of covered passageways, courtyards, and transition spaces.
This multi-functional character is what distinguishes the Iranian bazaar from a simple marketplace. The bazaar is where religion, education, commerce, and social life converge. The Friday mosque is often directly accessible from the bazaar. The madrasa trains the next generation of merchants and clerics. The caravanserai hosts travelling traders. The bathhouse serves the neighbourhood. All these functions are woven into a single, coherent fabric.
Organic Structure
Unlike a modern shopping centre designed on a drawing board, the Iranian bazaar has grown organically over centuries. Each generation has added to it, expanded it, or renewed parts of it. This organic growth gives the bazaar its distinctive quality: it is a living organism, constantly adapting to the needs of its users.
The organic nature of the bazaar means that it is full of surprises. Narrow alleys suddenly open into spacious courtyards. Dark passageways lead to brightly lit domed halls. The play of light and shadow, the contrast between compression and expansion, gives the bazaar its spatial richness. This is an architecture that cannot be replicated through top-down planning; it can only emerge through centuries of gradual, bottom-up development.
Guided Views and Spatial Organization
Despite its organic character, the Iranian bazaar is not a chaotic labyrinth. There is an underlying spatial logic that guides the visitor through the complex. The main axis of the bazaar, called the rasteh, provides orientation and direction. Side passages branch off from this main axis, leading to specialized zones: the goldsmiths' quarter, the carpet sellers' area, the spice bazaar.
The domed halls, or chaharsus, mark the intersections of major paths. These are the landmarks of the bazaar, the nodes that help the visitor navigate the complex. The light that enters through the oculi in these domes creates dramatic effects, marking these spaces as special within the overall fabric.
Roof as Independent Element
The roof of the Iranian bazaar is far more than a protective covering. In the Iranian tradition, going back to pre-Islamic Zoroastrian architecture, the roof is an independent architectural element with its own logic and beauty. The vaulted roofs of the bazaar, with their pointed arches, their pendentives, and their muqarnas decorations, constitute a rich architectural language.
Each section of the bazaar may have a different roof form, reflecting its function and status. The main trading halls have the most elaborate domes. The connecting passages have simpler barrel vaults. The transition from one roof type to another signals a change in function or status within the bazaar.
The bazaar, in sum, is one of the greatest achievements of Iranian architecture. It is a space that integrates commerce, religion, education, and social life into a coherent whole. Its organic structure, its spatial richness, and its architectural sophistication make it a model that contemporary urban designers would do well to study. In an age of generic shopping malls, the Iranian bazaar reminds us that commerce can be embedded in a rich cultural and spatial fabric.
Ferrante Ferranti, La citta islamica, Editori Internazionale, Roma - Bari, 1994.
Kamran Afshar Naderi, Ali Nasser Eslami, Le istituzioni collettive nella citta islamica, Facolta di architettura di Genova, 1991.