Contemporary Architecture

In The Wall, Isfahan

Javad July, Hootan Shaterpoor·Photos: Ehsan Hajirasouliha·Memar 154 — 25th Memar Award
In The Wall, Isfahan
Location: Mahmoudabad Industrial Zone, Street 36, Isfahan · Client: Utopia Stone Factory · Construction & Supervision: Hootan Shaterpour, Javad July · Structure: Amin Mahmoudi, Davoud Mahmoudi · Graphic: Mahdi Zare, Asal Khorvash · Photo: Ehsan Hajirasouliha · Built area: 125 m² · Site area: 750 m²

The project took shape at the heart of the Mahmoudabad industrial zone, inside a stone-cutting factory: a space brimming with noise, dust, and an endless variety of slabs and carved artefacts. The design brief had two parts: first, to create a dividing wall that would convert a section of the shed into an independent showroom, insulated against sound and dust; and second, to design an administrative building on the land opposite the shed to serve the needs of both factory and showroom.

But the central question was this: could a wall be imagined as something more than a mere boundary? The answer lay hidden within the factory itself — in a silent, unseen space among columns and beams, and especially in the three-metre strip where the cranes of the two sheds could not reach. This forgotten space became the starting point of the idea.

Concept sketch showing a plan of the factory shed with a thick wall between the two halls, labelled 'The Wall' and 'Habitable', with red box modules protruding from the wall
Concept sketch — “The Wall, Habitable”
Concept sketch showing the wall as a thick boundary with clustered red box modules gathered at its base, labelled 'The Wall' and 'The Spaces'
Concept sketch — “The Wall, The Spaces”
Could a wall be imagined as something more than a mere boundary? The answer lay hidden within the factory itself — in the three-metre strip where the cranes of the two sheds could not reach.

From this observation, the concept of a “habitable wall” was born: a wall that is at once the boundary between showroom and factory and a platform for inhabitation, display, and spatial experience. The office and gallery spaces that were to be built on the opposite plot were instead placed within this very wall. In this way, the client’s needs were met within a single new structure.

Ink sketch comparing a thin conventional wall on the left with a habitable wall on the right, whose bulging sections accommodate rooms
From thin wall to habitable wall
Cross-section sketch of two adjacent factory sheds with overhead cranes, showing the 1.5-metre dead zone between them where the habitable wall is inserted
Section — the 1.5 m dead zone between crane ranges
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The Habitable Wall

With the invention of the “habitable wall” structure, spaces no longer occupied the ground plane but were housed within the cranes’ unused zone. This structure functions as a kind of architectural grammar — an expandable capability for responding to future needs.

In redefining the wall, waste stone from the factory itself was used. The stones were dry-stacked within gabion meshes, with insulation placed between them: an economical and resilient combination. The gabion shell was then sliced open, and metal modules were embedded within it — volumes like cuts from the heart of stone, organised according to the factory’s operations and the customer’s path. These protruding volumes, beyond their function, are a metaphor for the process of stone itself: cutting, finishing, and creating anew.

Close-up of the gabion wall and a copper-clad module — recycled stone waste stacked within wire mesh, with a patinated copper box cantilevered forward
Gabion wall detail — recycled stone waste and copper-clad module
Tall gabion wall rising to the shed ceiling with copper band accents, a white stone sculpture placed at its base, wet factory floor reflecting the structure
The wall from the factory side — a white stone sculpture at its base

In this way, the wall was transformed from a rigid line into a dynamic surface — a surface that is split open, that gives birth to space, and where plan and elevation are interwoven and spatial organisation is redefined.

A cantilevered copper-framed glass module projecting from the tall gabion wall, with the factory's yellow overhead crane visible above
A cantilevered module projects from the gabion wall — the factory crane visible overhead
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Drawings

Architectural floor plan of the habitable wall showing numbered modules along the central axis between two factory sheds
Ground level floor plan
Dark site plan showing the stone factory layout with the habitable wall glowing white at centre, numbered modules 1 through 7, factory machinery on both sides
Site plan — the wall at the heart of the factory
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Stone, Copper, Light

The habitable wall seen from the showroom side — tall gabion panels with copper-framed window openings between them, wet concrete floor reflecting the forms
The wall from the showroom side — copper-framed openings punctuate the gabion surface
Curved gabion wall enclosing a dark doorway with copper frame, looking through to the factory floor beyond
A curved section of the wall with a copper-framed entrance to the showroom
Cantilevered copper-and-glass module seen from a distance inside the factory shed, a blurred worker passing beneath it
A module suspended above the factory floor — a worker passes below
A yellow forklift in motion passes the gabion wall with its copper modules, the industrial rhythm of the factory continuing around the architecture
Factory life continues — a forklift passes the habitable wall
Interior of a copper-clad module — warm patinated copper walls and ceiling surrounding a steel column, glass wall looking out to the gabion surface
Inside a copper module — warm, patinated surfaces
Interior of a copper-clad module looking outward through full-height glass to the factory shed beyond, copper walls reflecting light
Looking outward from within — the factory seen through glass

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In The Wall, Isfahan